Fragments of Poetry and Silence 47 Clay Johnson Working in the emotionally charged

Working in the emotionally charged

adding layers of colors and materials and then scraping them away

This artwork plays with an ambiguity alternating between architectural interior and something that appears to be a protruding form

This artwork comes from a series of divergent strategies

She interacts with nature

Fragments of Poetry and Silence 47 Clay Johnson Working in the emotionally chargedThe paintings Ostovany creates unfold over time, evolving as layers of pigment are added, washed out, covered over, scraped away, dissolved and then more layers added. With each new phase in the process the composition becomes deeper and more luminous.