Untitled 195 gouache on raw linen Ramsay explores reversed underpainting

Ramsay explores reversed underpainting

and then the image would be flipped

Backed with extruded polystyrene

She then translates her compositions into traditional paintings using acrylic paint on canvas

center and edge

Untitled 195 gouache on raw linen Ramsay explores reversed underpaintingIn this series of raw assemblages, Debono juxtaposes fragments of Masonite (Isorel) with vibrant aerosol spray paint. Embracing a philosophy of "non mastery," he deliberately preserves the splintered, torn edges (dchirement) created when the fiberboard is broken. This creates a striking tension: the rough, organic texture of the fractured wood stands in powerful contrast to the sleek, industrial flatness of the spray paint, all masterfully anchored