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And this print is worth a check
These typefaces took over the storefronts and urban space of France and beyond
It’s orderly and informative and clear
This polarization has helped to gain it unparalleled notoriety
The digital version from Monotype is not great
The Times New Roman and Italic notgoingtotypographics And this print is worthIt always amazes us when people think the New York Times is set in Times New Roman. We love the Times, but its not the only Times. There are a lot of them. So let us settle this once and for all: Times New Roman was not the new roman of the New York Times. It was the new roman of The Times of London. Designed by Stanley Morison and Victor Lardent (although possibly stolen from Starling Burgessbut we have not read about that in ages and dont have a
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